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Kristin is originally Croatian-American, and grew up in London where she's now based - after a few years studying and working in New York. As a performer, She's best known for her role as Grace in Lovefool - a sell out solo show from the Theatre National du Luxembourg -  which was shortlisted for Best Production in the Luxembourg Theatre Awards 2023, and more recently won an OffComm Offie award*.

Kristin founded the company Bound By Theatre in 2019. As creator and performer, her first piece, Ghislaine/Gabler won Best International Play at the United Solo Awards in NYC in 2022, and more recently Hildegard  von Bingen was been Shortlisted for a 2024 Offie Award after a Work in Progress sharing at VAULT Festival 2023. 

She started physical theatre company krēants with two of my colleagues from the RADA Theatre Lab in 2021, and is a founding member of NYC based company Invulnerable Nothings, with whom she'll be collaborating on 'HAMLET: The Drama of Vengeance' throughout 2024.


She has also worked as collaborator and performer with Maison Cartier, Kristine-Landon Smith, David Glass Ensemble and is a lead in the soon to be released Bosnian feature film Ne Skreci sa Staze (When Santa was a Communist).

Kristin has a BFA-hons from NYU:Tisch School of the Arts and an MA in Theatre Laboratory from RADA.

*OffComm and OffFest

In The Press


'Winters is mesmerising in a performance that is faultless' - Spy in the Stalls


'Much of the impact of the play derives from Kristin Winters’s remarkable performance as Grace' - British Theatre Guide

'Brilliantly played...Kristin excels as Grace' - ⭐️⭐️⭐️⭐️⭐️ Tageblatt


'Possibly the best theatre play I've seen this season...Kristin Winters is mesmerising as Grace, and delivers the non-stop dialogue and changes of scene flawlessly.' - ⭐️⭐️⭐️⭐️⭐️ Luxembourg Times 

Winters’ performance is incredibly raw, and hits us to our core. [She} makes us feel seen... There is no doubt that Lovefool will be the belle of the proverbial fringe ball.' - ⭐️⭐️⭐️⭐️⭐️  Broadway Baby

'[Gintare] a trouvé chez Kristin Winters une perle, au débit rapide et avec un parfait sens du timing comique.'

[Gintare] found in Kristin Winters a pearl, with a fast flow and perfect sense of comedic timing.' - ⭐️⭐️⭐️⭐️⭐️ Le Quotidien

 ⭐️⭐️⭐️⭐️ - The Scotsman

⭐️⭐️⭐️⭐️ - The Herald

⭐️⭐️⭐️⭐️⭐️ - Entertainment Now

⭐️⭐️⭐️⭐️⭐️ - Theatre Weekly

⭐️⭐️⭐️⭐️⭐️ - Three Weeks Edinburgh

⭐️⭐️⭐️⭐️ - Everything Theatre

Winters shines throughout the show’s sixty-minute run time, encapsulating so much pain in a single facial expression and never flinching at what is required of her role. - The Student



Featured in The Guardian

The Sunday Times Top Pick

Featured in The Scotsman

'Compelling collision of characters... Impressively physical. Brilliant performance'- The Stage

‘Chillingly, thrillingly atmospheric, this is a spine-tingling, multi-layered, mesmerising performance with subtle emotional insight’ - ⭐️⭐️⭐️⭐️⭐️ Edinburgh Guide

‘Raw and Sensitively Handled… A triumph.’ ⭐️⭐️⭐️⭐️ - Broadway Baby

'Groundbreaking Work. Winters holds the audience rapt...' - Fringe Review

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